Our technological and material practices have all been imprinted on the landscapes around us, carving our stories into the environment and forming a memory of our presence. Within my site specific performance and installation work, I examine interactions between technology and the natural world through sonic and material processes, utilizing traditional craft techniques, such as weaving and basketry, alongside contemporary technologies. I am interested in the environmental intimacy that is created through the gathering of natural materials within the creation of traditional craft, and the knowledge of the landscape that these practices help teach. I am also intrigued by historical interactions between craft and the environment, the connection between memory and the ephemeral histories contained within acts of making. I believe that processes of environmental intimacy can be applied to contemporary methodologies of making that incorporate electronics, thinking critically about the material presence and impact of these technologies.